I have had in my possession for some time now a promotional copy of Howard James Kenny’s first single release, Insects, but for one reason or another had not got round to putting pen to paper over it [other than an exchange with Honch about how good it was]. Life interrupted the time I would have devoted to sitting down with headphones on and getting intimate with the songs, and for this reason, what should have been a pre-release review is now being put together on the day of release of the full album Shelter Songs. On downloading the pre-release tracks, my computer very ‘helpfully’ organised them alphabetically. However, I am a firm believer that an album should be first approached in the order the artist intended, and this conviction was proved correct for me when I listened to the songs as an album through Bandcamp. Something I had been slightly ambivalent about previously now made all the hairs on the back of my neck stand up, and it was a wonderful experience – it made sense in the intended context. A good album should draw you in from the beginning, then hold you, and – clichéd as it sounds - take you on a journey through the songs until you arrive at the other side of it, rewarded. An album is sometimes a lot more than a collection of songs. The songs, once put together, take on a new context which they don’t have when heard individually. Shelter Songs is what I would call a good album – it works as a whole and it's a beautiful, moving and uplifting thing.
The first three tracks inhabit almost two thirds of the entire seven track album; the remaining four tracks account for around half the time that these grand epics take up. The slow and dramatic build of opener My Wrongs leads into the atmospheric album version of second single, Good Fortune with style and confidence. Layers of sound and vocal loops wash over the listener, carrying them along on the journey of the album. Ten minute long This Old Ship is a spine-tingling culmination of these ‘set piece’ songs; and fourth track Digits Point brings the listener back to earth again in a not at all unpleasant manner with some stunningly beautiful harmony work. The fifth track - and first single - Insects, is a masterpiece of technique. I was put in mind of some of Elbow’s more introspective moments in this track. Some very simple, honest and breathtakingly good acoustic guitar picking rounds the album off, showing that Howard James Kenny’s talents are not limited to the big production pieces. The haunting vocal line that accompanies the guitar work on Those Owls will stay with the listener long after the album has finished. Comparisons have already been drawn with artists such as Mogwai, Sigur Ros, Stars of the Lid and Nick Drake, and I would agree that this is indeed an album of the same calibre. The really nice thing about Shelter Songs is that the more you listen to it, the more it gives to you. And it’s only £6 - you can’t even buy a round of drinks for that price. Go get it.
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